{"id":8290,"date":"2026-09-18T09:01:23","date_gmt":"2026-09-18T09:01:23","guid":{"rendered":"https:\/\/www.hellomyyoga.com\/blog\/?p=8290"},"modified":"2026-09-18T09:01:25","modified_gmt":"2026-09-18T09:01:25","slug":"ayurveda-body-types-prakruti","status":"publish","type":"post","link":"https:\/\/www.hellomyyoga.com\/blog\/ayurveda-body-types-prakruti\/","title":{"rendered":"Ayurveda Body Types: How to Identify Prakruti and Teach to It"},"content":{"rendered":"<ul>\n<li><a href=\"#what-is-prakruti-the-foundation-of-ayurvedic-body-types\">What Is Prakruti? The Foundation of Ayurvedic Body Types<\/a><\/li>\n<li><a href=\"#the-three-doshas-what-each-type-looks-and-feels-like\">The Three Doshas: What Each Type Looks and Feels Like<\/a>\n<ul>\n<li><a href=\"#vata-air-and-ether-in-motion\">Vata: Air and Ether in Motion<\/a><\/li>\n<li><a href=\"#pitta-fire-and-water-in-command\">Pitta: Fire and Water in Command<\/a><\/li>\n<li><a href=\"#kapha-earth-and-water-in-stillness\">Kapha: Earth and Water in Stillness<\/a><\/li>\n<\/ul>\n<\/li>\n<li><a href=\"#how-to-identify-prakruti-in-your-students\">How to Identify Prakruti in Your Students<\/a>\n<ul>\n<li><a href=\"#observation-before-the-first-word\">Observation Before the First Word<\/a><\/li>\n<li><a href=\"#intake-conversations\">Intake Conversations<\/a><\/li>\n<li><a href=\"#movement-patterns-as-a-mirror\">Movement Patterns as a Mirror<\/a><\/li>\n<\/ul>\n<\/li>\n<li><a href=\"#teaching-to-each-dosha-type\">Teaching to Each Dosha Type<\/a>\n<ul>\n<li><a href=\"#teaching-vata-types\">Teaching Vata Types<\/a><\/li>\n<li><a href=\"#teaching-pitta-types\">Teaching Pitta Types<\/a><\/li>\n<li><a href=\"#teaching-kapha-types\">Teaching Kapha Types<\/a><\/li>\n<\/ul>\n<\/li>\n<li><a href=\"#dual-dosha-constitutions-and-the-art-of-balance\">Dual-Dosha Constitutions and the Art of Balance<\/a><\/li>\n<li><a href=\"#seasonal-teaching-and-dosha-cycles\">Seasonal Teaching and Dosha Cycles<\/a><\/li>\n<li><a href=\"#prakruti-across-the-lifespan\">Prakruti Across the Lifespan<\/a><\/li>\n<li><a href=\"#from-ayurvedic-awareness-to-clinical-teaching\">From Ayurvedic Awareness to Clinical Teaching<\/a><\/li>\n<li><a href=\"#faqs\">FAQs<\/a><\/li>\n<li><a href=\"#closing-reflection\">Closing Reflection<\/a><\/li>\n<\/ul>\n<p>Every student who walks into your class carries a completely different inner world. You may have already noticed it: one student runs cold, moves cautiously, and needs a long warm-up before they settle in; another arrives slightly overheated, a little impatient, and pushes too hard before their body is ready; a third bursts in with energy but loses focus halfway through. These are not personality quirks or bad habits. According to Ayurveda, they are expressions of <strong>Prakruti<\/strong> \u2014 the unique combination of the three doshas that defines a person&#39;s fundamental nature from birth.<\/p>\n<p>For a yoga teacher, understanding Ayurveda body types is not just philosophical enrichment. It is a practical framework that shapes how you sequence a class, how you cue breathwork, how you offer modifications, and how you genuinely support a student&#39;s long-term wellbeing \u2014 on and off the mat. This article walks through what Prakruti means, how to identify each dosha type in your students, and how to bring that knowledge into your teaching.<\/p>\n<hr>\n<h3 id=\"what-is-prakruti-the-foundation-of-ayurvedic-body-types\" style=\"font-size:1.5rem;line-height:1.4;margin:1.5em 0 0.5em\">What Is Prakruti? The Foundation of Ayurvedic Body Types<\/h3>\n<p><strong>Prakruti<\/strong> (Sanskrit: \u092a\u094d\u0930\u0915\u0943\u0924\u093f) literally means &quot;nature&quot; or &quot;original creation.&quot; In Ayurveda, it refers to the unique ratio of the three doshas \u2014 <strong>Vata<\/strong>, <strong>Pitta<\/strong>, and <strong>Kapha<\/strong> \u2014 that a person is born with and carries throughout their life. This ratio is determined at conception and remains essentially stable, unlike <strong>Vikruti<\/strong>, which describes the current, often imbalanced state of the doshas.<\/p>\n<p>The three doshas are composed of the five elements, or <strong>Pancha Mahabhutas<\/strong>: Vata is air and ether, Pitta is fire and water, and Kapha is earth and water. Each dosha governs specific physiological and psychological functions, and each expresses itself in recognisable physical, mental, and behavioural patterns.<\/p>\n<p>Most people carry two dominant doshas, with one usually more pronounced. Tri-doshic constitutions \u2014 an equal balance of all three \u2014 are rare. Understanding where a student sits on this spectrum is the first step toward teaching that actually serves them.<\/p>\n<hr>\n<h3 id=\"the-three-doshas-what-each-type-looks-and-feels-like\" style=\"font-size:1.5rem;line-height:1.4;margin:1.5em 0 0.5em\">The Three Doshas: What Each Type Looks and Feels Like<\/h3>\n<h4 id=\"vata-air-and-ether-in-motion\" style=\"font-size:1.25rem;line-height:1.4;margin:1.5em 0 0.5em\">Vata: Air and Ether in Motion<\/h4>\n<p>Vata governs movement, circulation, breath, and the nervous system. A predominantly Vata individual tends toward lightness \u2014 in body and in mind.<\/p>\n<p><strong>Physical markers:<\/strong> Lean or slender frame, dry skin, cold hands and feet, irregular appetite, light sleep, and variable digestion. Joints may be prominent and crack easily.<\/p>\n<p><strong>Psychological markers:<\/strong> Creative, quick-thinking, enthusiastic, and adaptable. When out of balance, Vata types become anxious, scattered, and easily overwhelmed. They often begin projects with real intensity and struggle to see them through.<\/p>\n<p><strong>On the mat:<\/strong> Vata students love dynamic, varied sequences but tire quickly. They tend toward hypermobility in some joints and rigidity in others, often pushing into range of motion without the stability to support it \u2014 which creates real injury risk. Cold mornings are genuinely hard for them.<\/p>\n<h4 id=\"pitta-fire-and-water-in-command\" style=\"font-size:1.25rem;line-height:1.4;margin:1.5em 0 0.5em\">Pitta: Fire and Water in Command<\/h4>\n<p>Pitta governs digestion, metabolism, intelligence, and transformation. A predominantly Pitta individual tends toward intensity and precision.<\/p>\n<p><strong>Physical markers:<\/strong> Medium, athletic build, warm or ruddy skin, strong digestion, sharp appetite, and a tendency toward inflammation, skin sensitivity, or acid-related issues. Pitta types often sweat more readily than others.<\/p>\n<p><strong>Psychological markers:<\/strong> Focused, ambitious, articulate, and decisive. When out of balance, Pitta types become irritable, critical, and prone to burnout. They are often perfectionists who push past what their body is telling them.<\/p>\n<p><strong>On the mat:<\/strong> Pitta students are frequently the most technically precise in the room. They arrive early, follow instructions closely, and want to progress. The risk is overwork \u2014 held tension in the jaw and shoulders, breath that tightens under effort, and a quiet resistance to the restorative practices they actually need most.<\/p>\n<h4 id=\"kapha-earth-and-water-in-stillness\" style=\"font-size:1.25rem;line-height:1.4;margin:1.5em 0 0.5em\">Kapha: Earth and Water in Stillness<\/h4>\n<p>Kapha governs structure, lubrication, immunity, and stability. A predominantly Kapha individual tends toward groundedness and endurance.<\/p>\n<p><strong>Physical markers:<\/strong> Sturdy or heavier build, smooth and cool skin, slow but steady digestion, deep sleep, and strong immunity. Kapha types tend to gain weight easily and move at a more deliberate pace.<\/p>\n<p><strong>Psychological markers:<\/strong> Patient, loyal, calm, and nurturing. When out of balance, Kapha types become lethargic, resistant to change, and prone to withdrawal or low mood.<\/p>\n<p><strong>On the mat:<\/strong> Kapha students bring natural stability and strength. They hold poses well and rarely overextend. The challenge is momentum \u2014 they may resist vigorous practice, gravitate toward comfort, and need genuine encouragement to explore their edge. Once warmed up, though, they are often the most grounded practitioners in the room.<\/p>\n<hr>\n<h3 id=\"how-to-identify-prakruti-in-your-students\" style=\"font-size:1.5rem;line-height:1.4;margin:1.5em 0 0.5em\">How to Identify Prakruti in Your Students<\/h3>\n<p>Identifying Prakruti is not a quick quiz. A thorough assessment in classical Ayurveda involves pulse reading (<strong>Nadi Pariksha<\/strong>), physical examination, and detailed questioning across multiple domains. As a yoga teacher, you are not diagnosing \u2014 but you can observe and listen in ways that meaningfully shape how you teach.<\/p>\n<h4 id=\"observation-before-the-first-word\" style=\"font-size:1.25rem;line-height:1.4;margin:1.5em 0 0.5em\">Observation Before the First Word<\/h4>\n<p>Watch how a student enters the room. Vata types often move quickly, glance around frequently, and rearrange their mat more than once. Pitta types walk in with purpose, set up efficiently, and scan the space for context. Kapha types move deliberately, settle in early, and stay still.<\/p>\n<p>Skin texture, body temperature noticed during hands-on assists, and natural resting posture all offer information. These are not judgements \u2014 they are data points.<\/p>\n<h4 id=\"intake-conversations\" style=\"font-size:1.25rem;line-height:1.4;margin:1.5em 0 0.5em\">Intake Conversations<\/h4>\n<p>A simple intake form or brief conversation before a student joins your regular class can reveal a great deal. Ask about:<\/p>\n<ul>\n<li><strong>Digestion:<\/strong> Irregular and variable (Vata), strong and sensitive to skipped meals (Pitta), slow and steady (Kapha)<\/li>\n<li><strong>Sleep patterns:<\/strong> Light and interrupted (Vata), moderate with vivid dreams (Pitta), deep and difficult to wake from (Kapha)<\/li>\n<li><strong>Stress response:<\/strong> Anxiety and worry (Vata), anger and frustration (Pitta), withdrawal and heaviness (Kapha)<\/li>\n<li><strong>Energy levels:<\/strong> Bursts and crashes (Vata), sustained intensity (Pitta), slow to start but enduring (Kapha)<\/li>\n<\/ul>\n<p>Look for patterns across multiple domains, not a single trait. One cold morning does not make someone Vata-dominant.<\/p>\n<h4 id=\"movement-patterns-as-a-mirror\" style=\"font-size:1.25rem;line-height:1.4;margin:1.5em 0 0.5em\">Movement Patterns as a Mirror<\/h4>\n<p>The way a student moves in asana practice is one of the most reliable windows into their constitution. Vata types tend toward irregular breath, rushed transitions, and inconsistent alignment. Pitta types hold muscular tension even in rest poses and often resist savasana. Kapha types move slowly, breathe deeply and naturally, and may need extra verbal cuing to engage.<\/p>\n<p>Observed consistently across several sessions, these patterns begin to form a clear picture of a student&#39;s Prakruti \u2014 and of where their Vikruti may be pulling them away from it.<\/p>\n<hr>\n<h3 id=\"teaching-to-each-dosha-type\" style=\"font-size:1.5rem;line-height:1.4;margin:1.5em 0 0.5em\">Teaching to Each Dosha Type<\/h3>\n<p>Knowing a student&#39;s Prakruti changes everything about how you design their experience. This is where Ayurveda moves from philosophy into applied teaching skill.<\/p>\n<h4 id=\"teaching-vata-types\" style=\"font-size:1.25rem;line-height:1.4;margin:1.5em 0 0.5em\">Teaching Vata Types<\/h4>\n<p>The primary need for Vata is grounding and warmth. Vata is already mobile and changeable \u2014 adding more stimulation amplifies imbalance rather than resolving it.<\/p>\n<p><strong>What to emphasise:<\/strong> Slow, rhythmic sequences with clear repetition. Longer holds in grounding poses \u2014 Tadasana, Virabhadrasana I, Balasana, Paschimottanasana. Consistent transitions rather than surprising changes. Warm environments when possible.<\/p>\n<p><strong>Pranayama:<\/strong> Nadi Shodhana (alternate nostril breathing) and Bhramari (humming bee breath) are deeply settling for Vata. Avoid fast, forceful techniques like Kapalabhati in isolation \u2014 they can amplify Vata&#39;s already elevated air quality.<\/p>\n<p><strong>Cuing approach:<\/strong> Speak slowly and clearly. Give fewer instructions at once. Offer reassurance and repetition. Vata students benefit from knowing what comes next \u2014 it reduces the low-level anxiety that can run beneath the surface of their practice.<\/p>\n<p><strong>Watch for:<\/strong> Hypermobility used as compensation for instability. Encourage engagement of the supporting muscles rather than passive stretching into range.<\/p>\n<h4 id=\"teaching-pitta-types\" style=\"font-size:1.25rem;line-height:1.4;margin:1.5em 0 0.5em\">Teaching Pitta Types<\/h4>\n<p>The primary need for Pitta is cooling and surrender. Pitta is already sharp and driven; the practice should invite release rather than reward achievement.<\/p>\n<p><strong>What to emphasise:<\/strong> Cooling forward folds, twists, and lateral stretches. Moon salutations over sun salutations where appropriate. Longer savasana. Restorative poses that Pitta types will resist \u2014 and need most.<\/p>\n<p><strong>Pranayama:<\/strong> Sheetali (cooling breath) and Chandra Bhedana (left nostril breathing) help pacify excess Pitta heat. Avoid Surya Bhedana (right nostril breathing) and Bhastrika, which increase internal fire.<\/p>\n<p><strong>Cuing approach:<\/strong> Offer options rather than commands. Pitta types respond well to understanding the &quot;why&quot; behind a pose or sequence. Avoid competitive or performance-oriented language \u2014 &quot;hold it longer than last time&quot; will push a Pitta student past their edge, not toward it.<\/p>\n<p><strong>Watch for:<\/strong> Jaw clenching, shoulder tension, and breath holding during challenging poses. Remind them, gently, that softening is not weakness.<\/p>\n<h4 id=\"teaching-kapha-types\" style=\"font-size:1.25rem;line-height:1.4;margin:1.5em 0 0.5em\">Teaching Kapha Types<\/h4>\n<p>The primary need for Kapha is stimulation and warmth. Kapha is already stable and heavy \u2014 the practice should build heat and encourage movement.<\/p>\n<p><strong>What to emphasise:<\/strong> Vigorous vinyasa, standing sequences, backbends, and inversions. Sun salutations with a strong pace. Poses that open the chest and lift the heart. Variety and novelty to counter Kapha&#39;s natural resistance to change.<\/p>\n<p><strong>Pranayama:<\/strong> Kapalabhati (skull-shining breath) and Bhastrika (bellows breath) are excellent for Kapha \u2014 they build internal heat, clear stagnation, and energise the system. Morning practice is especially beneficial.<\/p>\n<p><strong>Cuing approach:<\/strong> Use energetic, encouraging language. Kapha students may need more motivation to move past comfort. Celebrate their natural stability while gently challenging their edge.<\/p>\n<p><strong>Watch for:<\/strong> Reluctance to try new poses or modify familiar ones. Kapha types can become attached to their habits on the mat just as in life. Gentle challenge, offered with warmth, is the key.<\/p>\n<hr>\n<h3 id=\"dual-dosha-constitutions-and-the-art-of-balance\" style=\"font-size:1.5rem;line-height:1.4;margin:1.5em 0 0.5em\">Dual-Dosha Constitutions and the Art of Balance<\/h3>\n<p>Most students present as Vata-Pitta, Pitta-Kapha, or Vata-Kapha. Teaching to a dual constitution means identifying which dosha is currently aggravated \u2014 the Vikruti \u2014 and addressing that first, while holding awareness of the underlying Prakruti.<\/p>\n<p>A Vata-Pitta student in summer, for example, may need cooling and grounding simultaneously \u2014 a slower, shaded practice with restorative elements, rather than a vigorous hot yoga session that would aggravate both doshas. A Kapha-Pitta student in winter may benefit from vigorous morning practice that builds heat (pacifying Kapha) while avoiding overheating (managing Pitta).<\/p>\n<p>This is where Ayurveda becomes genuinely nuanced. It is also where the gap between a generalist yoga teacher and a clinically informed one becomes most visible. Reading constitution, assessing current imbalance, and adapting your teaching accordingly is a skill that takes time, study, and guidance from practitioners who have spent decades in this tradition.<\/p>\n<p>Understanding how constitution shapes personality and behaviour also deepens your reading of students. hellomyyoga&#39;s blog explores <a href=\"https:\/\/www.hellomyyoga.com\/blog\/three-basic-natural-personality-types\/\">three basic natural personality types<\/a> through a yogic lens \u2014 a complementary framework that sits naturally alongside Ayurvedic constitution when you are trying to understand who you are actually teaching.<\/p>\n<hr>\n<h3 id=\"seasonal-teaching-and-dosha-cycles\" style=\"font-size:1.5rem;line-height:1.4;margin:1.5em 0 0.5em\">Seasonal Teaching and Dosha Cycles<\/h3>\n<p>Ayurveda teaches that each season naturally aggravates certain doshas. Vata increases in autumn and early winter \u2014 dry, cold, windy. Pitta peaks in summer \u2014 hot, intense, relentless. Kapha accumulates through late winter and spring \u2014 cold, damp, heavy.<\/p>\n<p>As a teacher, this means your class design should shift with the seasons. A sequence that genuinely serves your students in January may actively aggravate imbalance in July. Adjusting your sequences, breathwork choices, and even the pacing of your speech to match seasonal dosha rhythms is one of the more subtle and powerful things you can do as a practitioner-teacher.<\/p>\n<p>Certain periods in the Indian calendar also carry specific energetic significance. The <a href=\"https:\/\/www.hellomyyoga.com\/blog\/shravan-month-purity-consciousness-knowledge\/\">purity and consciousness associated with Shravan month<\/a>, for instance, is a time when many practitioners naturally deepen their Sattvic practices \u2014 lighter food, more meditation, and pranayama that calms rather than stimulates. Aligning your teaching calendar with these rhythms is a form of Ayurvedic intelligence in itself.<\/p>\n<hr>\n<h3 id=\"prakruti-across-the-lifespan\" style=\"font-size:1.5rem;line-height:1.4;margin:1.5em 0 0.5em\">Prakruti Across the Lifespan<\/h3>\n<p>Constitution does not change, but the dominant dosha of a life stage does. Ayurveda recognises three broad phases: childhood is governed by Kapha (growth, building, nourishment), adulthood by Pitta (ambition, digestion, transformation), and old age by Vata (lightness, dryness, the movement of prana).<\/p>\n<p>This has direct implications for how you teach students at different life stages. A child&#39;s natural Kapha dominance means they need movement and stimulation. A young adult&#39;s Pitta dominance means they need challenge balanced with cooling. An older student&#39;s Vata dominance means they need warmth, stability, and careful attention to joint health. The <a href=\"https:\/\/www.hellomyyoga.com\/blog\/impact-yoga-early-age\/\">impact of yoga at an early age<\/a> is shaped in part by this Kapha phase of life \u2014 understanding it helps you design age-appropriate practice that supports, rather than disrupts, natural development.<\/p>\n<p>For teachers working with older populations, the Vata nature of the ageing body deserves particular attention. Dry joints, fragile bones, irregular digestion, and anxiety are all Vata expressions that require a specific, clinically informed approach \u2014 one that goes well beyond generic senior yoga modifications.<\/p>\n<hr>\n<h3 id=\"from-ayurvedic-awareness-to-clinical-teaching\" style=\"font-size:1.5rem;line-height:1.4;margin:1.5em 0 0.5em\">From Ayurvedic Awareness to Clinical Teaching<\/h3>\n<p>Understanding Ayurveda body types makes you a more thoughtful teacher. Applying that understanding in clinical contexts \u2014 with seniors, pregnant women, or individuals recovering from serious illness \u2014 requires a different level of training altogether.<\/p>\n<p>This is the gap that hellomyyoga&#39;s specialised teacher training programs are designed to fill. Built by doctors, vaidyas, and yoga chikitsa acharyas, programs like <strong>Geriatric Yoga Care<\/strong> and <strong>Prenatal and Postnatal Yoga<\/strong> go beyond general constitution awareness to address the specific physiological and therapeutic needs of each population. The curriculum integrates Ayurvedic principles with clinical knowledge in a way that generalist teacher training programs rarely attempt.<\/p>\n<p>If you already work with diverse student populations \u2014 or want to \u2014 the Ayurvedic framework in this article is a beginning. The clinical depth needed to teach safely and effectively in those settings is a further journey. hellomyyoga&#39;s hybrid programs, combining self-study and live Zoom sessions led by expert faculty, are designed for practitioners who are ready to take that step. Explore what is available at <a href=\"https:\/\/hellomyyoga.com\">hellomyyoga.com<\/a>.<\/p>\n<hr>\n<h3 id=\"faqs\" style=\"font-size:1.5rem;line-height:1.4;margin:1.5em 0 0.5em\">FAQs<\/h3>\n<p><strong>What is Prakruti in Ayurveda?<\/strong><br \/>Prakruti is your unique constitutional nature in Ayurveda, determined at conception by the ratio of the three doshas \u2014 Vata, Pitta, and Kapha. It remains essentially stable throughout your life and influences your physical, mental, and behavioural tendencies. Unlike Vikruti (your current doshic state), Prakruti is your baseline.<\/p>\n<p><strong>How do I identify my students&#39; Ayurveda body types as a yoga teacher?<\/strong><br \/>Observe physical build, skin quality, movement patterns, and energy levels. Intake conversations about digestion, sleep, and stress responses also reveal a great deal. Over several sessions, consistent patterns across multiple domains will give you a reliable picture of a student&#39;s dominant dosha. You are not diagnosing \u2014 you are observing to inform your teaching.<\/p>\n<p><strong>Can a person have more than one dominant dosha?<\/strong><br \/>Yes. Most people are bi-doshic, meaning two doshas are roughly co-dominant. Tri-doshic constitutions are less common. Teaching to a dual constitution means assessing which dosha is currently aggravated and addressing that first, while remaining aware of the underlying Prakruti.<\/p>\n<p><strong>How does Vikruti differ from Prakruti?<\/strong><br \/>Prakruti is your fixed constitutional nature from birth. Vikruti is your current doshic state, which shifts due to diet, lifestyle, stress, season, or illness. Effective Ayurvedic teaching addresses both \u2014 honouring the Prakruti while working to restore balance where Vikruti has created imbalance.<\/p>\n<p><strong>How does knowing Ayurveda body types improve my yoga teaching?<\/strong><br \/>It allows you to personalise sequences, breathwork, and cuing in ways that genuinely serve each student rather than applying a one-size approach. Vata students need grounding; Pitta students need cooling and surrender; Kapha students need stimulation and warmth. Teaching to constitution reduces injury risk, supports long-term practice, and deepens the therapeutic value of what you offer.<\/p>\n<p><strong>Do seasonal changes affect which dosha is dominant?<\/strong><br \/>Yes. Ayurveda teaches that each season naturally aggravates certain doshas \u2014 Vata in autumn and early winter, Pitta in summer, Kapha in late winter and spring. A skilled teacher adjusts class design, breathwork, and pacing to account for seasonal dosha cycles, not just individual constitutions.<\/p>\n<p><strong>Is Ayurvedic body type assessment something I can learn formally as a yoga teacher?<\/strong><br \/>Yes. Ayurvedic principles are increasingly integrated into advanced yoga teacher training programs, particularly those with a clinical or therapeutic focus. Programs designed by vaidyas and yoga chikitsa acharyas offer a much deeper grounding in these concepts than general teacher training courses typically provide.<\/p>\n<hr>\n<h3 id=\"closing-reflection\" style=\"font-size:1.5rem;line-height:1.4;margin:1.5em 0 0.5em\">Closing Reflection<\/h3>\n<p>Ayurveda body types are not a system for labelling your students. They are a lens for seeing them more clearly. When you understand that the student who rushes through transitions is not undisciplined but Vata-dominant, or that the one who resists savasana is not impatient but Pitta-driven, your teaching shifts from correction to care.<\/p>\n<p>That shift is what ancient wisdom for modern life actually looks like in practice. It begins with curiosity about who is in the room \u2014 and it deepens with every year you spend inside the tradition that gave us these tools.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>What Is Prakruti? The Foundation of Ayurvedic Body Types The Three Doshas: What Each Type Looks and Feels Like Vata: Air and Ether in Motion Pitta: Fire and Water in Command Kapha: Earth and Water in Stillness How to Identify Prakruti in Your Students Observation Before the First Word Intake Conversations Movement Patterns as a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8289,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-8290","post","type-post","status-publish","format-standard","has-post-thumbnail","category-health-wellness"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ayurveda Body Types: How to Identify Prakruti and Teach to It - hellomyyoga<\/title>\n<meta name=\"description\" content=\"Understand Ayurveda body types and Prakruti to teach yoga that truly fits each student \u2014 from identifying doshas to sequencing for Vata, Pitta, and Kapha.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.hellomyyoga.com\/blog\/ayurveda-body-types-prakruti\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ayurveda Body Types: How to Identify Prakruti and Teach to It - 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